That Floating Excrement Was Far Too Symbolic! It's the Television Letdowns of the Year.
As we reflect on the TV offerings of the past year, a handful of series emerge not for their brilliance, but for their spectacular failures. Ranging from cringe-inducing sequels to confusingly bad docuseries, here are the productions that had us scratching our heads or just reaching for the remote.
The 'Sex and the City' Sequel
Where to begin with this divisive follow-up? Burdened with dreadful scripts, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the series struggled to justify its existence. Briefly, as the final season began, it seemed as if it had finally found its groove. Then arrived an installment all about Seema’s natural deodorant. No wonder the showrunner announced this would be the final season. It ended on a low point; the closeup of Miranda’s toilet flooded with poo was just way too symbolic. Still, viewers undeniably found joy picking apart every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't release a little sob?
All’s Fair
‘Can Kim Kardashian act? Of course she can’t.’
But that was practically the least of this show's issues. The subject of a exceedingly uncommon zero star assessment, it was difficult to know where to begin enumerating the flaws. The laughably leaden writing? The mind-numbing veneration of wealth and materialism? The seemingly wilful parade of cliches? Acting so bad they felt almost spiteful? Suffice it to say “each and every one” and never speak of this series again. However, a second season has been commissioned, so we’re likely going to have to.
The Charlie Sheen Documentary
Given the restraining orders, abuse allegations and fatherly failures, it’s reasonable to say Charlie Sheen has been a bad boy. Not you’d really have known it from this three-part docuseries which smirked its way at Sheen’s various episodes of reckless excess while failing to tell us a single thing we didn’t already know. Rather, it felt as if this volatile personality was being indulged, so any sympathy this series might evoke should be saved for the people who have had to suffer close contact with this charismatic but flippant narcissist.
The Iris Affair
Of course we understood it was ridiculous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We stuck with it out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.
MobLand
Shady characters meeting in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.
In truth, that is unfair on the gangland dramas of the late 90s. Many look a bit dated now, but at least they didn’t endure the ignominy of having to indulge unconvincing dialects. But there were many other issues. Primarily that it was just profoundly dull; a conflict over narcotics territory between various London picaresques which seemed rather simplistic.
With Love, Meghan
Considering the extent to which she grinds the gears of the nation’s ostentatiously enraged commentators, it’s almost easy to admire the Duchess of Sussex’s various ventures into quaint homemaking as intentional statements. But then you view them and are forced to concede that in this case, they may have a point. It’s like watching a homeware catalogue animated; a poster for evening drinks with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, Hallmark sayings and pointless crafting “tips” you’ll forget instantly. All underpinned by immense, largely unearned wealth. Ugh.
Victoria Beckham
There are obviously fascinating things to be said about both Victoria Beckham and her struggles with vocation, self-image, self-acceptance. But for whatever reason, this three-part series opted not to say them. Rather, the experience was like reading a sales brochure. She clearly has good reason to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this cagey letdown of a series.
The Game Show
It should have been the next big hit – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality overseeing her estate. What more could you ask for? As players battled it out, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s even now too confusing to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a programme that was straining desperately to emulate something far greater than it.
Too Much
How do you succeed a show that captured a generation? The expectation was immense for this starry romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The star took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of celebrity friends involved felt icky.
The Sketch Show Return
Not good enough to be ‘patchy’.
Given the smart recruitment of gifted emerging comics, expectations were high. But sadly, most of it fell flat. A recurring sketch was a single joke stretched to a husk but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The writing room sketches, meanwhile, simply provoked the thought that they should probably have stayed in there a while longer.
The Twisted Tale of Amanda Knox
This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled with care. Rather, the series laboured awkwardly to find the right tone, lurching from strangely jaunty, slightly mannered farce to ultimately, real-life horror. Twisted? Arguably. A complete mess? Absolutely.
The Maths Genius Thriller
We love the star … but did we believe him playing the greatest maths genius since, a man so smart he’s on the verge of a discovery that could destabilise society? No! This globe-trotting thriller about secret services spying on – and eliminating – academics frankly got more absurd by the second. Silliness-by-numbers.
The Bonnie Blue Documentary
This hagiography followed the online personality notorious for sexual escapades as she undertook her most extreme feat yet. What on earth would possess her? What we wanted was way more interrogation of her actual psychology, plus those of the men in the queue. They could at least have interviewed the legendary mum who showed up to drag her son out of the queue. What we got was horrific shots and zero critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a young daughter too.